{"id":1969,"date":"2026-04-30T17:29:38","date_gmt":"2026-04-30T17:29:38","guid":{"rendered":"https:\/\/isola16conference.com\/?page_id=1969"},"modified":"2026-07-25T21:27:25","modified_gmt":"2026-07-25T21:27:25","slug":"thematique-scientifique","status":"publish","type":"page","link":"https:\/\/isola16conference.com\/en\/thematique-scientifique\/","title":{"rendered":"SCIENTIFIC TOPIC"},"content":{"rendered":"
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t

CHAMP SCIENTIFIQUE<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"isola\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t

L\u2019art de l\u2019oralit\u00e9 : l\u2019improvisation \u00e0 la crois\u00e9e des dimensions artistiques, culturelles et sociales<\/h4>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Le 16\u1d49 Colloque de la Soci\u00e9t\u00e9 Internationale pour les Litt\u00e9ratures Orales d\u2019Afrique invite les universitaires et les chercheurs \u00e0 engager un dialogue interdisciplinaire sur les dimensions artistiques, culturelles et sociales de l\u2019improvisation dans les litt\u00e9ratures orales africaines.<\/p>

Le colloque examinera notamment le r\u00f4le de l\u2019improvisation dans la cr\u00e9ation narrative, les performances orales et les interactions au sein des communaut\u00e9s.<\/p>

The conference focuses on the role of improvisation in the creation of narratives, oral performance and interactions within communities.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tConsulter l\u2019appel \u00e0 communications<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Orientation scientifique<\/h4>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Les traditions orales transmettent les savoirs, l\u2019histoire et les valeurs \u00e0 travers les g\u00e9n\u00e9rations. L\u2019improvisation enrichit ces traditions en rendant chaque performance unique, interactive et adapt\u00e9e \u00e0 son contexte.<\/p>

La litt\u00e9rature orale est ainsi envisag\u00e9e comme une performance vivante o\u00f9 la voix, le rythme, le geste, le silence et l\u2019interaction avec le public participent \u00e0 la cr\u00e9ation du sens.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Performance et figures de l\u2019oralit\u00e9<\/h4>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Le colloque s\u2019int\u00e9ressera aux conteurs, po\u00e8tes, chanteurs, musiciens, griots, imbongi<\/em> et rappeurs contemporains.<\/p>

Au Maroc, la halqa<\/em> illustre cette relation entre narration, improvisation et participation du public. D\u2019autres traditions africaines montrent \u00e9galement comment les artistes de l\u2019oralit\u00e9 pr\u00e9servent la m\u00e9moire collective tout en renouvelant leurs pratiques.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t
\n\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Lines of thought<\/h6>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Les contributions pourront notamment porter sur :<\/p>

  1. Les enjeux culturels, artistiques et politiques de l\u2019improvisation.<\/li>
  2. L\u2019improvisation dans les arts de la sc\u00e8ne.<\/li>
  3. Les figures de l\u2019oralit\u00e9 et la transmission culturelle.<\/li>
  4. L\u2019improvisation dans les rituels religieux et spirituels.<\/li>
  5. Les dimensions symboliques et performatives des rituels.<\/li>
  6. La traduction et l\u2019adaptation des r\u00e9cits oraux.<\/li>
  7. L\u2019improvisation dans la cr\u00e9ation litt\u00e9raire et artistique.<\/li>
  8. Les liens communautaires et les interactions sociales.<\/li>
  9. L\u2019enseignement des litt\u00e9ratures orales.<\/li>
  10. L\u2019improvisation et l\u2019interculturalit\u00e9 en Afrique.<\/li>
  11. Les pratiques d\u2019improvisation \u00e0 l\u2019\u00e8re des r\u00e9seaux sociaux.<\/li>
  12. Les rapports de genre et l\u2019improvisation orale.<\/li>
  13. Les traditions orales africaines dans les pratiques contemporaines.<\/li><\/ol>

    Les \u00e9tudes de cas, analyses comparatives et approches interdisciplinaires sont les bienvenues.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

    \n\t\t\t\t\t\t\t
    <\/div>\n\t\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t
    Join ISOLA 2027 in Morocco<\/h6>\t\t\t\t<\/div>\n\t\t\t\t
    \n\t\t\t\t\t\t\t\t\t

    Participate in an international dialogue dedicated to improvisation, African oral literatures, and new forms of cultural transmission.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

    \n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tSubmit a summary<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

    CHAMP SCIENTIFIQUE L\u2019art de l\u2019oralit\u00e9 : l\u2019improvisation \u00e0 la crois\u00e9e des dimensions artistiques, culturelles et sociales Le 16\u1d49 Colloque de la Soci\u00e9t\u00e9 Internationale pour les Litt\u00e9ratures Orales d\u2019Afrique invite les universitaires et les chercheurs \u00e0 engager un dialogue interdisciplinaire sur les dimensions artistiques, culturelles et sociales de l\u2019improvisation dans les litt\u00e9ratures orales africaines. Le colloque examinera notamment le r\u00f4le de l\u2019improvisation dans la cr\u00e9ation narrative, les performances orales et les interactions au sein des communaut\u00e9s. The conference focuses on the role of improvisation in the creation of narratives, oral performance and interactions within communities. Consulter l\u2019appel \u00e0 communications Orientation scientifique Les traditions orales transmettent les savoirs, l\u2019histoire et les valeurs \u00e0 travers les g\u00e9n\u00e9rations. L\u2019improvisation enrichit ces traditions en rendant chaque performance unique, interactive et adapt\u00e9e \u00e0 son contexte. La litt\u00e9rature orale est ainsi envisag\u00e9e comme une performance vivante o\u00f9 la voix, le rythme, le geste, le silence et l\u2019interaction avec le public participent \u00e0 la cr\u00e9ation du sens. Performance et figures de l\u2019oralit\u00e9 Le colloque s\u2019int\u00e9ressera aux conteurs, po\u00e8tes, chanteurs, musiciens, griots, imbongi et rappeurs contemporains. Au Maroc, la halqa illustre cette relation entre narration, improvisation et participation du public. D\u2019autres traditions africaines montrent \u00e9galement comment les artistes de l\u2019oralit\u00e9 pr\u00e9servent la m\u00e9moire collective tout en renouvelant leurs pratiques. Axes de r\u00e9flexion Les contributions pourront notamment porter sur : Les enjeux culturels, artistiques et politiques de l\u2019improvisation. L\u2019improvisation dans les arts de la sc\u00e8ne. Les figures de l\u2019oralit\u00e9 et la transmission culturelle. L\u2019improvisation dans les rituels religieux et spirituels. Les dimensions symboliques et performatives des rituels. La traduction et l\u2019adaptation des r\u00e9cits oraux. L\u2019improvisation dans la cr\u00e9ation litt\u00e9raire et artistique. Les liens communautaires et les interactions sociales. L\u2019enseignement des litt\u00e9ratures orales. L\u2019improvisation et l\u2019interculturalit\u00e9 en Afrique. Les pratiques d\u2019improvisation \u00e0 l\u2019\u00e8re des r\u00e9seaux sociaux. Les rapports de genre et l\u2019improvisation orale. Les traditions orales africaines dans les pratiques contemporaines. Les \u00e9tudes de cas, analyses comparatives et approches interdisciplinaires sont les bienvenues. Rejoignez ISOLA 2027 au Maroc Participez \u00e0 un dialogue international consacr\u00e9 \u00e0 l\u2019improvisation, aux litt\u00e9ratures orales africaines et aux nouvelles formes de transmission culturelle. Soumettre un r\u00e9sum\u00e9<\/p>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_angie_page":false,"_monsterinsights_skip_tracking":false,"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1969","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/isola16conference.com\/en\/wp-json\/wp\/v2\/pages\/1969","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/isola16conference.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/isola16conference.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/isola16conference.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/isola16conference.com\/en\/wp-json\/wp\/v2\/comments?post=1969"}],"version-history":[{"count":92,"href":"https:\/\/isola16conference.com\/en\/wp-json\/wp\/v2\/pages\/1969\/revisions"}],"predecessor-version":[{"id":5320,"href":"https:\/\/isola16conference.com\/en\/wp-json\/wp\/v2\/pages\/1969\/revisions\/5320"}],"wp:attachment":[{"href":"https:\/\/isola16conference.com\/en\/wp-json\/wp\/v2\/media?parent=1969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}